We don’t read and write poetry because it’s cute.
We read and write poetry because
we are members of the human race.
—Sir John Keating, Dead Poets Society
ON THE TENDER NIGHT of the 27th of February 2016, at the 2nd floor of Handuraw Pizza, Gorordo, TINTA of University of the Philippines (UP) Cebu marked its 13th monthly poetry reading, or “Basa Balak,” which was handsomely titled “Kasumaran: Pisik sa mga Tinagsip” (Anniversary: A Splatter of Fragments), as a year already passed since TINTA started breaking ground into the city’s literary landscape.
TINTA hosted their largest crowd yet. In attendance were established Cebuano writers Denver Torres, Jona Bering, Karla Quimsing, Anthony Kintanar, and Larry Ypil; various members of the Nomads and BATHALAD, two of the literary circles in Cebu; TINTA poets Jae Magdadaro, Monica Manluluyo, Reyna Cadiz, Astrid Ilano, and Tara Angela Prieto; and Cebu-based start-up Suwh(a)t, whose soulfully hand-crafted notebooks served as prizes for the trivia and “tigmo” session. The audience, mainly composed of youths who brought their own poems, songs, and anecdotes into the open mike segment, contributed largely to the full house event.
Overwhelmed by the growing multitude of people appreciating the monthly poetry nights, Tara Angela Prieto, TINTA’s incumbent chairperson and also a graduating psychology student, envisioned a “stronger patronization to these literary events.”
A Rorschach Test
When the first verses were penned by its founding chairperson, Romeo Nicolas Bonsocan, on June 16, 2011, TINTA no sooner became UP Cebu’s official—and only—creative writing organization. With the guidance and support of Lilia Tio, Januar Yap, and Shane Carreon and the commitment of the group’s members, TINTA, which was initially born of the idea of having an essential creative outlet and “interest-based organization” for students, assumed the form of an inkblot smeared not just in the school walls but also in the walls of contemporary Cebuano literature.
Outside the school’s wrought iron gates, TINTA conducted their own love letter writing contest (2013; the awards night was held at the painfully missed beauty of La Belle Aurore) as well as a literary awards night (2014; this was held at UP Cebu) that drew participants from different universities.
Going in for the Quill
The organization was formerly named “Mga Alagad sa Dagang” (The Order of the Quill). Now, other than being the Cebuano translation for “ink,” TINTA also stands for “Tunob” (footprint), “Iwag” (light), “Nasod” (country), “Talento” (talent), “Alampat” (art)—five components that serve as the organization’s cornerstones.
TINTA’s groundwork activities are to “read, write, and inspire.” They practice their craft through sharing, engaging in discussion, and getting involved in the development of national literature. They also hold several workshops, where they are mentored by Cebu’s literary heroes.
Now stepping into their 5th year, TINTA continues to influence a generation of young writers to move toward a renewal—or a revolution, if you will—of Cebuano literature.
(Published on Sun.Star Weekend: March 13, 2016; photos by Rika Castro)